Dreams of Significant Girls

This book made so many recommendation lists that I added it to my Christmas list. I love the concept of three very different girls supporting each other as they come of age, but…

Book Review: Dreams of Significant Girls by Cristina García

This book made so many recommendation lists that I added it to my Christmas list, but reading it proved less than satisfying.


1970s. In a prestigious summer camp in Switzerland, three girls from different backgrounds must come together as roommates to navigate first loves and heartbreaks. Eager Vivien, who loves to cook, hails from the United States and treasures her Cuban heritage. Shirin, the prickly “Iranian princess,” prefers mathematics textbooks and horses to people. Ingrid, the rebellious Canadian artist, will do anything but the expected. Together, they find their differences don’t matter if they support each other.


The characters are the shining strength of the book. Each is distinct enough that dialogue tags are unnecessary for knowing who is speaking. They behave in the emotionally driven way of teenagers, consistent with their individual personalities. I enjoyed getting to know them, which made everything else a disappointment.

The friendship between the girls was rushed. On one page, they’re enemies, and by the next chapter, best friends? The book claims to focus on friendship, but little support made it onto the page. In fact, there were several serious trials that the girls kept secret from one another. If anything, the friends complicated each others’ troubles rather than alleviate them.


The plot reads like a bundle of periodicals, with few threads carrying through the entire narrative. Most of the unfortunate episodes end negatively and are never processed or resolved. I don’t mind reading about bad decisions and tragedy, but these girls failed to learn anything from their mistakes, or the mistakes of the surrounding adults.

The publishers could re-title this book Fourteen-Year-Old Girls Discover Sex because most of the story revolved around sex. The girls experienced everything from digital rape (explicitly described) to masturbation to a full sexual relationship with a much older adult man.

Sex is common in young adult literature (though I question Simon & Schuster’s Age 14 and up rating), but the sex in this book served no real purpose to the overall story.

The girls stumble blindly into their relationships, which I suppose is typical for teens, but they don’t gain any insights from their exploits. Shirin’s experience, which triggers her mental breakdown, goes unaddressed for the rest of the book. I don’t consider myself prudish, but the relationship with an older man receives a much too positive a portrayal for even my tastes. The book supposedly focuses on friendship, but aside from a kissing lesson from Ingrid (during which she has the others practice on her), the girls navigate the joys and perils of their relationships alone.

The author included some family drama, but most of it takes place outside the girls’ control and participation. Divorce and remarriage, dark family secrets, religious tradition faced with modern culture—the author had more than enough, perhaps too much, material to work into a telling story. Instead, that drama is communicated via the occasional lunch date with a visiting relative. The girls practically don’t take part in their own families’ lives. They show little interest in doing so, preoccupied as they are with sex.  

I finished this random collection of sexual exploits and family drama and thought, “What was the point?” The author injected no meaning or growth into the narrative, which left me feeling like I’d paid for an expensive dinner and received a plate of cold potatoes.

Writing Style

The author does a fantastic job creating a distinct voice for each character. Her prose is clean and pretty. However, most of the story is summarized in diary-style entries rather than dramatized, making it hard for readers to experience the story vicariously.


* Spoilers Begin *

Shirin’s subplot was so mishandled that I feel the need to spoil it. After she is raped at the ball and has a mental breakdown, she requests her new best friends meet her back at boarding school. Vivien and Ingrid don’t consider her a friend yet and wonder why the heck she invited them, but even after they do become close, Shirin never mentions her rape. I understand why she would keep silent, but even when she moves on to a consensual relationship, she doesn’t process her trauma. It magically resolves, which strikes me as unrealistic, even for someone who suppresses the memory.

Her friends, even without knowing the root of her issues, could have helped her work through them. Instead, Ingrid gives her a kissing lesson, her new boyfriend manually stimulates her such that she has an orgasm riding her horse, and everything is hunky-dory.

Later, after her consensual relationship leaves her pregnant, Shirin takes an herbal abortifacient and experiences serious hemorrhaging. She confesses to Vivien that her periods are now black and sickly and coming twice as often. The subplot ends there. Shirin is having serious health complications, but the reader is left to assume they magically resolve along with her trauma. Only the fact that Shirin later has a daughter reveals that she recovered. Furthermore, Shirin never tells Ingrid of her experience, which seems a grave oversight in a book about the power of friendship.

* Spoilers End *


I wanted to like this book. I love the concept of three very different girls supporting each other as they come of age. The author does a fantastic job crafting interesting characters and giving them unique voices, but Dreams of Significant Girls felt more like Sexual Exploits of Confused Girls. Neither inspiring nor impactful, the story derives no meaning from the girls’ experiences, and much of the significant family drama occurs without their participation.

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Book Review: Someone’s Story

This thought provoking young adult novel is a poignant portrayal of mental health and the power of friendship.

Someone’s Story by B.A. Bellec

I encountered this book through an author networking site and decided to give it a read.


Someone’s Story is the tale of a teenager who refers to himself as Someone. A new school gives him a clean slate, but also triggers his anxiety. The story follows him as he makes friends, makes mistakes, and makes peace with his own troubled mind.


Someone is a well-rounded character, flawed but growing. His struggles are personal, yet universal, and his journey of perseverance and acceptance is deeply moving. His group of “weirdos” are a fantastic representation of the power of friendship to overcome adversity.

I have mixed feelings about the protagonist referring to himself as Someone, implying that this could happen to anyone. I can see this approach being successful in two different ways. In one sense, the protagonist’s anxiety causes him to avoid attention. His previous struggles with social skills cause him to fear being “that guy.” He wants to be “normal,” but his weirdo friends teach him that nobody is normal.

In an opposite sense, the self-designation of Someone alludes to his goal to “be somebody.” He doesn’t want to disappoint his father, doesn’t want to waste his life. To that end, he pursues challenging goals, starting with running.

Unfortunately, I feel like the author was reaching for both these concepts and caught neither. Neither is sufficiently emphasized to stand out as a central message. Furthermore, the character isn’t generic enough to be just “someone.” For one, he is male. To make it truly generic, the author could have edited out the mild romantic parts. As another point, it isn’t just anybody who becomes a passionate advocate for blonde roast coffee and 90s movies. Lastly, I don’t buy that the friends who got close enough to him to share their deep dark secrets wouldn’t have learned his name. At the very least, a teacher calling attendance would have revealed it. The author could have kept the name a secret from the reader, but implied the other characters knew it. Instead, the protagonist introduces himself to his new friends as Someone, and no one probes the reasoning behind that choice even after getting to know him.

I’m glad the character wasn’t a generic someone. I found my eyes skipping over the dialogue tags to spare my mind from thinking of him that way. I cannot relate to an abstract, generic homo sapien, but I can relate to the narrator’s crusade against the dark roast, even though I myself do not drink caffeine. These details make him human, which makes him relatable. A real name would have helped.

That said, the choice of Someone made me think enough to write five paragraphs. Perhaps that’s the point. This book is nothing if not thought provoking. My head was spinning for hours after finishing it.


I made the mistake of reading reviews before picking up this book. A few of them mentioned the book started off slow. I’m not sure whether I would have come to that conclusion without the priming, but I will say the first third of the story is fairly low drama. Having been raised reading The Lord of the Rings, I don’t mind a slow read, so this wasn’t an issue for me.

The plot follows Someone as he makes the most of his fresh start at a new school. His mental health challenges him, but as he gets closer to his friends, he realizes he isn’t the only “weirdo.” He gets into trouble, makes mistakes, and learns from them like any teenager, though the challenges he faces at the end are well “above the call of duty.” There are some odd scenes involving drugs, but they fit with the overall tone.

Writing Style

I typically abhor the stream-of-consciousness style of narration, but Bellec uses it to spectacular effect. Rather than spewing whatever random observations come to mind, the protagonist’s thoughts are sharp and relevant, just enough to really get into his perspective. The tone in the beginning of the novel is engaging, almost haunting. I quickly found myself tuned to the rhythm of the words.

Books like this are often written from the author’s own experience, which can lead to a lack of continuity as the author fixates on “how it really happened” and lectures the reader on the lessons learned. Not so with Someone’s Story. The story has a compelling structure, and Bellec does a wonderful job weaving the life lessons into the narrative such that the reader learns them alongside the protagonist. Someone makes many profound observations about life, but at no point does the prose read like a self-help book.


For me, the big winner of this novel is its theme. In a world where everyone has 800 Facebook friends but no one to pick them up at the airport, the value of genuine friendship can never be overstated. The protagonist’s goal is to make friends, but he takes it a step further than he ever has by getting to know them beyond a surface level. This enormous risk causes both him and his friends a great deal of pain, but it also teaches him about acceptance, forgiveness, perseverance, and perspective. In the end, these friendships help him overcome his mental health challenges.


This artfully written novel tears down our social media-dominated definition of friendship in favor of a deeper connection by which “weirdos” can band together to overcome adversity. A flawed group of teens, struggling to play with the cards the world dealt them, learn to accept themselves and to support each other as they journey through life’s most awkward phase. The plot progresses slowly through the first third of the book, but the writing style and tone are engaging from page one. While I would have preferred a named character, the protagonist’s self-designation as “Someone” is thought provoking. His struggles with mental health serve as a poignant demonstration of strength growing from vulnerability. Overall, this insightful story is a shining example of perseverance and the power of friendship.

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