This Tender Land

My Grandmother likes to support local authors, which for her means Minnesotan. Krueger is one of her favorites. He envisioned this book as an update of Huckleberry Finn, and he achieved that goal.

This Tender Land by William Kent Krueger

My Grandmother likes to support local authors, which for her means Minnesotan. Krueger is one of her favorites. This is the second one I’ve checked out from her library.

Cover Description

“In the summer of 1932, on the banks of Minnesota’s Gilead River, Odie O’Banion is an orphan confined to the Lincoln Indian Training School, a pitiless place where his lively nature earns him the superintendent’s wrath. Forced to flee after committing a terrible crime, he and his brother, Albert, their best friend, Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one summer, these four orphans journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds.”


Odie is a classic rebel whose longing for a home and family makes him endearing. His spunk and ingenuity provide a great contrast to his strict brother and easy-going best friend, but what is most remarkable is how the characters change throughout the story. The Great Depression provides the fiery furnace to refine young boys into men, and each character’s unique skills play a part in their survival. Their struggles are at once heartbreaking and inspiring, and their loyalty to each other as family is a poignant reminder that love is stronger than blood.


The plot follows Odie and his friends as they flee the training school’s superintendent and head down the Mississippi River toward their aunt’s home in St. Louis. Along the way, they meet other down-and-out drifters, some alleys, some enemies, some a mixture of both. Overall, the story moves at a good pace and is engaging the entire length.

Writing Style

Krueger’s vivid descriptions capture the feel and struggle of The Great Depression. His prose moves smoothly across the page—neither overly descriptive nor sparse. Of the two of his books I’ve read, I liked this one best.

One thing I admire about Krueger’s writing is that he does not hesitate to portray history’s horrors, especially with the treatment of Native Americans. He sensitively portrays Mose coming to terms with his identity, his people’s history, and his friendship with three white kids.

Krueger also includes elements of mysticism in his writing, in this case with the faith healer and Emmy’s gift. I am not as big a fan of this, but I didn’t find it bothersome.


The author said he envisioned this book as an update of Huckleberry Finn, and he achieved that goal. His spunky protagonists and their harrowing journey capture the spirit of adventure endemic to that tale. Setting their adventure during The Great Depression immerses the reader in time and space much like Where the Crawdads Sing. Overall, their journey of hardship and friendship make for a brilliant read.

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Book Review: The Four Winds

Though Hannah describes life in the Depression with beautiful-but-heart-breaking detail, I was unsatisfied with the ending. This is my least favorite of Kristin Hannah’s books, and I’ve read a lot of them.

The Four Winds by Kristin Hannah

I looked forward to reading this book so much that I almost bought a copy instead of waiting to borrow it from my grandmother, but it ended up being my least favorite of Kristin Hannah’s books.


Texas, 1921. Too tall and too old to marry, Elsa Wolcott can’t resist Rafe Martinelli’s attention, but when their unsanctioned relationship ruins her reputation, she has only one respectable option: marriage to Rafe, a man she barely knows.

She grows to love the Martinelli’s farm, and gradually earns the respect of her in-laws, but the Great Depression changes everything. With millions out of work, the drought’s constant barrage of dust storms jeopardize both the farm and Elsa’s marriage. Elsa must make an impossible choice: leave the land she loves or head west in search of a better life for her children.


Elsa begins the story insecure about her appearance and value, and much of the story revolves around her trying to earn love. She proves herself a hard-working woman who perseveres through trials the modern millennial couldn’t comprehend. After facing numerous rejections, she strives to hold on to her daughter’s affection, but Loreda’s teenage years have pushed them farther apart.

Loreda is a typical small-town girl who dreams of more. Like most teenaged girls, she blames her mother for everything from her father’s unhappiness to the drought. When the family’s dire circumstances push her past bitterness into desperation, she finds she and her mother have more in common than she’d thought.


The plot centers on the family’s struggle to farm during the drought, descent into poverty, and eventual migration to California in search of a better life. Unfortunately, instead of a land flowing with milk and honey, California offers them only poverty and discrimination.

Mostly, I enjoyed the plot. However, I hated the ending. I’ll describe my thoughts on it below, but if you don’t want spoilers, skip to the next section.


The book’s main storylines are Elsa learning that she is loveable and Loreda learning to value her mother. However, Elsa doesn’t feel valuable until Jack falls in love with her. In a book that intentionally emphasizes the role of women in the Depression, I hate that Elsa needs a man to show her love. A better ending would have been shown her learning to value herself as she fought for her children’s well-being, especially since the conflict revolves around her relationship with her daughter. Finding satisfaction in her daughter’s love would have been much more satisfying than some man’s sexual attraction.

Loreda’s storyline is better completed. After seeing her mother lead the workers’ strike, she finally learns to respect her mother’s strength and realizes she possesses that same fortitude within herself. However, the ending rings hollow. Loreda goes to college, like her mother wanted, but I feel like she would have done that anyway. Her newfound respect for her mother, if not her mother’s lifestyle, didn’t change her behavior. If Hannah had made Loreda more resistant to schooling throughout the book, this transformation would have been more effective.


Writing Style

In her typical brilliance, Hannah describes life in the Depression with heart-wrenching detail, almost too much detail. Reading her prose is like experiencing the hardships of the Depression first hand—not pleasant. I could almost taste the dust in my mouth. Reading it during a road trip through the desert probably didn’t help.


I never figured out why the novel is titled The Four Winds, other than the dust storms’ prominence. Still, it left me wondering, which four?


Though Hannah describes life in the Depression with beautiful-but-heart-breaking detail, I was unsatisfied with the ending. Such well-rounded characters deserved more thematically consistent endings to their emotional journeys. If you are curious about life during the 1930s, this book will bring those difficult years to life, but don’t count on the ending being worthy of a standing ovation.

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