Book Review: The Four Winds

Though Hannah describes life in the Depression with beautiful-but-heart-breaking detail, I was unsatisfied with the ending. This is my least favorite of Kristin Hannah’s books, and I’ve read a lot of them.

The Four Winds by Kristin Hannah

I looked forward to reading this book so much that I almost bought a copy instead of waiting to borrow it from my grandmother, but it ended up being my least favorite of Kristin Hannah’s books.


Texas, 1921. Too tall and too old to marry, Elsa Wolcott can’t resist Rafe Martinelli’s attention, but when their unsanctioned relationship ruins her reputation, she has only one respectable option: marriage to Rafe, a man she barely knows.

She grows to love the Martinelli’s farm, and gradually earns the respect of her in-laws, but the Great Depression changes everything. With millions out of work, the drought’s constant barrage of dust storms jeopardize both the farm and Elsa’s marriage. Elsa must make an impossible choice: leave the land she loves or head west in search of a better life for her children.


Elsa begins the story insecure about her appearance and value, and much of the story revolves around her trying to earn love. She proves herself a hard-working woman who perseveres through trials the modern millennial couldn’t comprehend. After facing numerous rejections, she strives to hold on to her daughter’s affection, but Loreda’s teenage years have pushed them farther apart.

Loreda is a typical small-town girl who dreams of more. Like most teenaged girls, she blames her mother for everything from her father’s unhappiness to the drought. When the family’s dire circumstances push her past bitterness into desperation, she finds she and her mother have more in common than she’d thought.


The plot centers on the family’s struggle to farm during the drought, descent into poverty, and eventual migration to California in search of a better life. Unfortunately, instead of a land flowing with milk and honey, California offers them only poverty and discrimination.

Mostly, I enjoyed the plot. However, I hated the ending. I’ll describe my thoughts on it below, but if you don’t want spoilers, skip to the next section.


The book’s main storylines are Elsa learning that she is loveable and Loreda learning to value her mother. However, Elsa doesn’t feel valuable until Jack falls in love with her. In a book that intentionally emphasizes the role of women in the Depression, I hate that Elsa needs a man to show her love. A better ending would have been shown her learning to value herself as she fought for her children’s well-being, especially since the conflict revolves around her relationship with her daughter. Finding satisfaction in her daughter’s love would have been much more satisfying than some man’s sexual attraction.

Loreda’s storyline is better completed. After seeing her mother lead the workers’ strike, she finally learns to respect her mother’s strength and realizes she possesses that same fortitude within herself. However, the ending rings hollow. Loreda goes to college, like her mother wanted, but I feel like she would have done that anyway. Her newfound respect for her mother, if not her mother’s lifestyle, didn’t change her behavior. If Hannah had made Loreda more resistant to schooling throughout the book, this transformation would have been more effective.


Writing Style

In her typical brilliance, Hannah describes life in the Depression with heart-wrenching detail, almost too much detail. Reading her prose is like experiencing the hardships of the Depression first hand—not pleasant. I could almost taste the dust in my mouth. Reading it during a road trip through the desert probably didn’t help.


I never figured out why the novel is titled The Four Winds, other than the dust storms’ prominence. Still, it left me wondering, which four?


Though Hannah describes life in the Depression with beautiful-but-heart-breaking detail, I was unsatisfied with the ending. Such well-rounded characters deserved more thematically consistent endings to their emotional journeys. If you are curious about life during the 1930s, this book will bring those difficult years to life, but don’t count on the ending being worthy of a standing ovation.

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Book Review: Burned and Smoke

Both books delve into life’s gray areas and provide a glimpse into the unfiltered questions of two hurting and confused young women. Beautifully written and emotionally moving.

Burned and Smoke by Ellen Hopkins

This duology was my first experience with books in verse. I will definitely read more.

Back Cover Description for Burned

“Raised in a religious—yet abusive—family, Pattyn Von Stratten starts asking questions—about God, a woman’s role, sex, love. She experiences the first stirrings of passion, but when her father catches her in a compromising position, events spiral out of control. Pattyn is sent to live with an aunt in the wilds of Nevada to find salvation and redemption. What she finds instead is love and acceptance—until she realizes that her old demons will not let her go.”


Pattyn, the eldest daughter in a large Mormon family, starts questioning her family’s faith. She already wrestled with her “good Mormon father’s” alcoholism, so when teenage hormones hit and she develops sexual feelings, those questions increase. She doesn’t want the traditional role of Mormon mother of as-many-as-possible. When her genuine questions are answered with hypocrisy, she rebels.

While the author portrays Pattyn as a flawed human with sincere questions, Ethan, the boy she meets on the ranch in Nevada, leaves much to be desired. Like many leading males in romance novels, Ethan is too perfect. Good-looking and considerate, he doesn’t struggle as Pattyn does. The romance lacks chemistry at the beginning. There is no reason for Ethan to pursue Pattyn other than her looks, though the author implies otherwise.

Perhaps I am picky, but too-perfect guys annoy me. Ethan comes across as a savior, not a partner.

Ethan comes across as a savior, not a partner.


The story is more character-driven than plot-driven; it centers on Pattyn’s questions about God and love. Poignant and beautifully written poems allow the reader inside her private contemplations as various events shape her beliefs. The plot intensifies dramatically toward the end, which is refreshing but not satisfying. That is why I went straight to the sequel, Smoke after finishing.

Smoke picks up where Burned leaves off, but adds a subplot for Pattyn’s younger sister, Jackie, whose rape is covered up by the LDS community, including her own mother. Smoke built much more suspense throughout the plot, though I don’t think it satisfied the theme of redemption and second loves. Both love stories felt too hasty for me.

I found myself disappointed with the endings. Pattyn questions and rejects her faith, but her new beliefs are ill-defined and center around her love life. She abandons the LDS church to escape their oppressive patriarchy, but then she latches on to Ethan. Perhaps it is because I am religious myself, but I think a boyfriend is a poor substitute for God. I’m not saying she should have converted to another religion, but I wish she had found her own principles, her own foundation that didn’t depend on anyone else, especially not some boy.

A boyfriend is a poor substitute for God.

Writing Style

This is the first I’ve read from Ellen Hopkins, and I adored her writing. Her poems are lyrical without being esoteric. A non-poetry fan could read these books and follow the story with ease. She packs a great deal of power into a few words, especially the poems where she pulls out keywords to form their own sentence. Both Burned and Smoke were beautiful reads.


Burned and Smoke tackle a difficult subject—abuse, rape, and trauma recovery. The content wasn’t too graphic for me, but you must use your own discretion. Both books delve into life’s gray areas and provide a glimpse into the unfiltered questions of two hurting and confused young women. Beautifully written and emotionally moving, each book took only a couple hours to read—one advantage of poetry is brevity. Overall, I would recommend these books, provided you’re not squeamish about the content. I got them as a gift, but I wouldn’t regret spending money on such beautiful writing. Buy both though. Once you finish Burned, you’ll want the closure offered in Smoke.

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